Picnic in Nonotuk Park,

“Tiny rituals hold together the seams of human life”, by Maggie O’Farrell in The Vanishing Act of Esme Lennox

When I visited the east coast recently I was able to visit with three different sets of friends. While staying with women in Easthampton, a woman friend who lives over an hour away drove down to meet me. She had a time frame of visiting with me from 10-2:00. Instead of eating lunch at a crowded, impersonal restaurant, I volunteered to bring lunch for us. When I asked if she had any food restrictions she said she didn’t.

I had made a large batch of our Savory Muffins before I arrived in Easthampton to help sustain me during my visit there. These muffins are so nutritious, but low in carbohydrates, that Jeanne and I have been cooking them as a main dish. For this picnic, I put together a salad of dark leafy greens, carrots, red cabbage and a few tomatoes as a side dish to go with our savory muffins.


It was a cool early spring day in Massachusetts–about a month behind our Arkansas spring weather. Earlier in the week, I’d gone to a thrift store to find a light weight coat because I had not packed for cool weather. I needed that extra layer as we explored the park.

Nonotuck Park was just a few blocks from where I was staying. We wandered around relieved to be out of doors and with each other. We had a lot of catching up to do on the events in each of our lives. I carried my camera to photograph anything that caught my eye. The light filtering through the trees continued to capture my attention.

It was cool enough that when it was time to eat lunch we decided to return to the sun-warmed car and to eat together there. We continued our conversation in the warmth of the car–laughing and sympathizing about various challenges in our lives. We talked about mutual friends and shared updates about each. I was also warmed by her nurturing attitude and steady disposition. Later she asked for the savory muffin recipe which I will share at the end of this blog.

After lunch we strolled another section of the park moving across the silent pine needles. This simple bench gave us a chance to be together and enjoy our surroundings–bird voices and little traffic noise.

We were both startled when my friend pointed to a recently chewed-on-by-beaver tree directly in front of us. This was one busy beaver anxious to fell this tree for a new damn. We looked for evidence of the damn, but did not see one in the nearby area.

This beaver-destroyed tree reminded her of a city beaver damn near her home north of here. Late one evening she was returning home and was astonished to see traffic stopped in both directions as a beaver carefully crossed the highway. Her curiosity took her back in daylight and she later sent me these photos of the beaver damn beginning against the concrete support.

She wrote me that the beaver “have built 5 lodges under the interstate. The trouble in Massachusetts is it is illegal to relocate wildlife. So they either have to be trapped and killed or left alone. The idiocy of man made laws…”

Further, she called the Audubon Society and they referred her to the public works department who felt that although the beaver was seen crossing the road if they’ve lived there this long they are probably alright. They were going to “check on them” and get back to her…so she’s just waiting. She concluded, “How amazing the persistence of life.”

My artist friend took this flattering photo of me that early spring day by the lake in Nonotuk Park

That day in the park we were dining on savory muffins and savoring each other’s company while the beaver colony was resting up for their night’s adventure. Tiny rituals do hold together all of life on this amazing mother planet!

Savory Muffin recipe:

1 1/2 tsp baking powder
1/4 tsp baking soda
1 tbsp gluten powder (needed to hold together)
1/2 tsp salt
1/4 tsp pepper
1/4 tsp garlic powder
1/4 tsp dried oregano
1 cup raw almond four (or blanched almond flour which has more carbs, but okay to use)
1 cup coconut flour (or paleo baking flour for a lighter muffin)
4 eggs
1/3 cup heavy cream
1/2 cup melted butter (1 stick)
2-3 cups packed baby spinach, roughly chopped (or kale)
3-4 tbsp sun dried tomatoes, soak briefly in hot water, then finely chopped. Save this liquid in case you need more moisture in the batter.
1/2 cut finely crumbled feta cheese
2 tbsp grated Parmesan cheese

Step 1
Preheat oven to 400°F (200°C). Line 12 muffin cups with paper liners; set aside. Assemble all ingredients for easy access!
Step 2
Whisk together flour, baking powder, baking soda, gluten, salt, pepper, garlic powder and oregano; set aside. In separate bowl, whisk together eggs, cream, and melted butter until blended; stir into dry ingredients just until combined (do not overmix). Fold in spinach, tomato, feta and Parmesan cheese until combined.
Step 3
Spoon into prepared muffin cups. Bake until tester (toothpick) comes out clean, about 20 to 25 minutes; let cool in pan on wire rack for 10 minutes before turning out muffins. Let the muffins cool completely and store in airtight containers and refrigerate for up to 6 days or freeze for up to 1 month.

To do your own modifications to the original recipe, check here: https://www.eggs.ca/recipes/savoury-muffins-with-spinach-tomato-and-feta-cheese

POSTSCRIPT: This 1917 photo by Frances Benjamin Johnston relates to Lila’s comment below.

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Wool: The Great Thermal Insulator

My lovely lilac heather wool blanket made from sheep raised on the east coast and spun into wool for this blanket. Made in Harmony Maine.


Many other color options.


For me, thrift store shopping is full of thrills! Whenever I travel, I always seek out thrift store spots. I’m able to mingle with the locals, and I may discover a unique treasure. Martha and I stopped at a thrift shop near her New Jersey home as we drove to the shore last week. Yes, I did find a treasure!

I was drawn to a wool blanket, found in its original wrapping. It was a beautiful lilac heather color and tightly woven. As a lifelong fine textile enthusiast, I wanted this blanket. The quality workpersonship was evident. At ten dollars, it was a bargain for this twin size blanket. But how would I get it home? Reluctantly, I put it down and wandered around, choosing a few other items I was drawn to. I paid and went to the car. I told Martha about my find. She encouraged me to consider mailing it home–that is how that beautiful heather blanket arrived in Arkansas.

By examining the label, I discovered that my treasure was made by Bartlett Yarns, a woolen mill operating in Harmony, Maine since 1821. All the wool is sourced in the USA too! Visit here: https://bartlettyarns.com/product/blankets/
As I explored the Bartlett Yarns website, I discovered wool dryer balls. If clothes are not dried outside, these little wool balls absorb moisture from clothing in the dryer, maintaining a more humid environment, thus helping get rid of static cling. In addition to reducing static, they also reduce drying time and fluff clothes. What a great idea. Please note the luscious colors too.

Why do I sleep under wool blankets and seek out wool clothing?

Breathability:
Wool’s inherent breathability and moisture-wicking properties help regulate my body temperature, keeping me cool in the summer and warm in the winter. My last TWA flight attendant uniforms were made of a year-round weight wool and proved this assertion to me during the four years we wore those uniforms.
Wool naturally has a stretch to it. Even after a full day of wear, wool fabric easily snaps back into shape, despite continuous wear and cleaning.

Natural, non-synthetic and renewable:
Wool is all natural animal fiber, surpassing synthetic fabrics in quality and durability. The sheep grow a new coat of wool every year and are not harmed during shearing. With proper care, my wool bedding can last for decades and still look great!
Additionally, wool is often produced by those living on small farms or ranches, not large corporate places.

Anti-Microbial and Anti-Bacterial:
Wool resists bacteria and is both antimicrobial and antibacterial.

Naturally Fire Resistant:
Wool is inherently fire resistant, providing a safe sleep environment without the need for chemical additives.

Women and Wool: An Ancient Connection

My awareness of the centuries of connection between women and their creation of wool textiles from sheep and goats was heightened by the time I spent on Crete. We saw clear evidence in all the sacred sites of weaving tools like loom weights to indicate that women were spinning thread and creating cloth–most likely from sheep and goats brought to the island millennia before Minoan Crete. Many scholars believe wool was the mainstay cloth created on Minoan Crete.

The ancients wore wool for all the same reasons we do today. Especially, I believe, because of its durability and breathability. If you are spinning and weaving everything you own, you want it to be comfortable and to last a long time. For fun, I found these two photos. The first is a closeup of the shaggy sheep found on Crete today. The other shows a young sheperdess, in 1955 on Crete. She is both minding her flock and, if you look carefully, you can see the drop spindle she is using with both hands to spin yarn from the fluffy bundle of wool tucked under her left arm.

The last photo shows the spinning process and looms used by Bartlett yarns as seen on their website. My foray into that New Jersey thrift shop sent me on a journey of discovery that I could not pre-plan. By following my own enthusiasms, I’ve experienced a renewal of my interest in natural fibers and the means people use to transform them into attractive textiles.

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Exploring the Jersey Shore

Approaching the waves… Landlocked Arkansas is full of delightful creeks and lakes, but ocean waves hold a particular sense of exuberance.


On Saturday, Martha and I drove to Allenhurst, NJ (less than an hour from her home) because I wanted to visit the shore sometime during my stay with her. It was a cloudy, gray day, and the shore was almost deserted. A few surfers in wet suits were rolling in on the waves. I was pleased–walking was easy. The light was soft. Or, as I had learned when I got my first SLR camera as a teenager in 1960, the light was best described as “cloudy bright”. This diffused light is excellent for photography.

I walked along the wet sand and sang my song about “returning to the ocean” to this wedge of Atlantic ocean. I studied the dark boulders. I watched the arrival of wave after wave. I went to the higher ground where the waves had left artifacts behind. I was seeking treasures: shell, drift wood and especially beach glass.


I did pick up some interesting shells, and some fine pieces of driftwood. I saw a lot of plastic garbage. I kept noticing smooth pale green rocks about the size of an orange. Several had holes, making them “holy rocks”. I pocketed all these. I piled the wood in my left hand and continued to roam. Then I discovered one of those green rocks with two holes-wow! I tried to photograph this for you to see, but it hasn’t worked to my satisfaction.

One of the young, male surfers saw me collecting and asked if I’d found anything interesting. I replied I was from Arkansas and it was all interesting. He said he collects for his mother and the late summer is really the best time.

This jetty marks the private beach for the Allenhurst Beach Club. By later this month, I would need a $7 beach pass to roam this sand! One of the local people told us we would be fine today to explore. Martha visited with several people who were walking their dogs on this glorious cloudy late afternoon.

It was chilly enough for me to have the hood up on my sweatshirt. We both were enjoying the fresh sea breeze, the empty beach, and the sound of the waves meeting the shore.

This wide boardwalk looks out over the beach. To the left in the photo, is a long ramp allowing easy access to the sandy beachfront.



An earlier beachcomber built this round structure in the sand. It reminds me of the many ancient Minoan buildings on Crete that were topped with the upright curves of the “Horns of Consecration” one of the symbols of birth, death and regeneration.

While crisscrossing the beach, I came across a dead sea bird with beautiful webbed feet. I could see no injury. I looked carefully, admiring the lovely body, sleek head and striking color combinations. I said a brief invocation honoring it in life and in death.

When we got home, Martha and I discovered that the bird we had seen was a Northern Gannet. And, it happens that Martha had marveled at one of these birds who dived into the ocean for a fish as she watched that afternoon! She, too, was struck by the unusual coloring–that helped us be sure of our identification.


Here is what we learned: the northern gannet (Morus bassanus) is a seabird, the largest species of the gannet family, Sulidae. It is native to the coasts of the Atlantic Ocean, breeding in Western Europe and North America. The sexes are similar in appearance. The adult northern gannet has a mainly white streamlined body with a long neck, long and slender wings. It is 34–39 inches long with a 67–71 inch wingspan. The head and nape have a buff tinge that is more prominent in breeding season, and the wings are edged with dark brown-black feathers. The long pointed bill is blue-grey, contrasting with black bare skin around the mouth and eyes. (Remaining photos are from from Wikipedia.)

They dive with their bodies straight and rigid, wings tucked close to the body but angled back, extending beyond the tail, before piercing the water like an arrow. They control the direction of the dive using their wings and tail, and fold their wings against the body just before impact. Birds can hit the water at speeds of up to 62 mph.This allows them to penetrate up to 36 ft below the surface, and they will swim down to an average 60 ft, sometimes deeper than 80 ft. The bird’s subcutaneous air sacs may have a role in controlling their buoyancy.

Gannets usually push their prey deeper into the water and capture it as they return to the surface. When a dive is successful, they swallow the fish underwater before surfacing, and never fly with the fish in their bill. Larger fish are swallowed headfirst, smaller fish are swallowed sideways or tail-first. The fish is stored in a branched bag in the throat and does not cause drag when in flight. Their white color helps other gannets to identify one of their kind and they can deduce the presence of a shoal of fish by this diving behavior; this in turn facilitates group foraging, which makes capturing their prey easier. The color also makes the gannet less visible to the fish underneath. Northern gannets also forage for fish while swimming with their head under water.

Nesting colonies are on northern sea cliffs; one at Bonaventure Island, Quebec, (see both photos below) has become a famous tourist destination. In winter off southern coastlines, the gleaming white adults may be outnumbered by brown and patchy immatures; it takes four years for gannets to attain full adult plumage.


The entire adventure reminded me of the poem from the famous lyric poet Sappho whose book I have with me on this trip:
“If you are squeamish
don’t prod the beach rubble.”
Every adventure is full of surprises or it would not be an adventure!
This post is dedicated to both Jeanne and to Susan W because I know they would have loved to be here too!

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Exuberant and Untidy!

Look carefully at this exuberant and out-of-control quilt top–it is a big quilt top measuring 64″ x 84″!

After sitting through a long-winded description and proscription on how to best please quilt judges, I was ready for another version of reality. Those of us who don’t see quilting as a “competitive sport” need to be heard too. For me, what is valuable is the sharing of our quilts and our enthusiasms that create community and the strong bonds quilters share with each other. I do not believe that we need the suggestions from a quilt judge to know where we need to improve our skills. In fact, I am proud of quilters like our talented friend, LoVina, who resisted all efforts to change her improvisational style which would never be approved by any certified quilt judge.

Quote by Mark Twain: “Comparison is the death of joy.”

I tend to agree with Twain–competition and comparisons breed resentment and ill-will. Comparisons are never useful. As the quilt judge explained over and over, each quilt is compared to the others in its category, and then ranked. Why? Who does this serve? Do you really want that polyester ribbon? I know we can admire the skills, efforts, talents and imagination of every quilter without raising up or belittling anyone. Our creative selves express infinite variety.

“Please yourself and at least one will be well satisfied.”

As the Irish saying I once heard mentioned on NPR goes, “Please yourself and at least one will be well satisfied”. Just forget what a quilt judge would say–that is my advice. I like quilts with personality! Let me see your personality in every quilt you stitch! Here is a quilt loaded with personality! I’m tentatively calling it “Gees Paw” because it reminds me of the Gees Bend creations and because of the 15″ bears paw block. It is a big top! I’m still trying to figure out the decade of the newest fabric to help me date this top. Do not see any batiks, so that helps.

My friend (A.A.) wrote, “You probably noticed the two blocks in one of the paws turned the wrong way. Adds charm …. but it would probably bug me until I took it apart and rotated them.” I had noticed, but I replied “that the block ‘switcheroo’ does not bother me as much as the multiple clashing sashing. But I’ve decided to leave it all alone. It has its own charm as it is…..”

Exuberant energy with excessive personality!

Carefree placement! She included plaids, stripes, seersucker, ombres, dots, solids, small, medium and large scale prints and three different clashing sashing fabrics–what nerve she possessed.

Perhaps I was drawn to this top, in part, because the quilt maker had consistently used several turquoise fabrics at the center of each of the 15″ blocks. For the past two years I’ve noticed how most of my quilts have some turquoise in them. Once I quilt Gees Paw, I will have to think carefully about what to use for binding–that will be a fun challenge! Do I want to go subtle or bold? What would you do? Any suggestions?

I hope you will come both days, April 5 & 6 to our big quilt show in Springdale sponsored by QUILT of Northwest Arkansas https://quiltguildnwa.edublogs.org/ Please join us that weekend (Friday & Saturday). With over three hundred quilts in the show and a special exhibit of hand quilted quilts, you can spend the day with us and enjoy a lunch from Spring Street Grill.

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Scrap Happy

“In it’s simplest form, a quilt is just some fabric and a little bit of thread. It’s up to you to decide how to put it together.” YLI ad in QNM, March 2000

Every quilter has scraps. We all have to decide what we are going to do with our leftovers. And this can be a challenge. Our favorite fabrics may hold dear associations and memories. It’s hardest to decide what we might do with those particular scraps. I created this design to feature fabric scraps I especially favored, and to deal with the limited use of my right arm and hand following my cancer diagnosis in early 2017. Playing with favorite fabrics always soothes me. I started this quilt in the spring to help distract me from the pain in my hand and arm. It helped!

Creating the diagonal lines allowed me to play with “value”, that is, the interaction of light and dark in the overall visual layout. I followed my mentor, Lila Rostenberg’s advice of placing the lightest values at the upper right hand corner and moved down to the lower left hand corner. Lila had explained, that since this is how we read a text in our culture, our eyes are familiar with this pattern.

For borders, I searched my stash for a fabric to add some personality to the composition. When I pulled my foxglove fabric from my stash, I knew I’d found the perfect border. Not so, because the foxglove fabric is a a “directional fabric”. I could not place the foxgloves laying on their sides as top and bottom borders.

The bottom corner shows the detail of the border and binding fabrics.

As quilters often note, this problem could be transformed into a “design opportunity”. I searched my stash without finding something I wanted to use for those top and bottom borders, so I headed to the local quilt shop. There I found the bold Phillip Jacob floral fabric for the top and bottom borders. I rushed home, cut those borders, sewed, and stepped back to admire my work. Yes, I saw personality there! The top was finished, but the quilt was only half finished.

In August 2017, all my quilting activities ceased while I prepared for my upcoming Goddess Pilgrimage to Crete, Greece in October. So it was not until early in 2018 that I finished the quilting. My binding choice of a fabric displaying much “inner light” was one of my final pleasures on this happy scrap quilt. I had pieced “Scrap Happy” on my ancient Singer Featherweight which has been my primary sewing machine since I bought it used in 1969. My vintage 1981 Bernina #930 is another workhorse that enabled me to do the free motion quilting I use on most of my quilts. Because I don’t see quilting as a “competitive sport”, none of my quilts will be subject to judging. For me it is the sharing of our quilts and our enthusiasms that creates community and the strong bonds quilters share with each other.

Scrap Happy is one of sixteen quilts (and five more in the small quilt auction) I’m displaying on April 5 & 6 at our big quilt show in Springdale sponsored by QUILT of Northwest Arkansas https://quiltguildnwa.edublogs.org/ Please join us that weekend. With over three hundred quilts in the show and a special exhibit of hand quilted quilts, you can spend the day with us and enjoy a lunch from Spring Street Grill.

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Crete #6 Honoring the Holy Myrtle Tree

The glass jar of Cretan honey caught my eye that first morning and added a lovely amber color to the altar to honor the ancestors. One of our group dropped locally grown almonds into the honey.

My first morning on Crete, I went out before 8:00 a.m. in search of an offering for the altars we would prepare on later days. I chose this Cretan honey, in part, because it comes in this small shapely glass jar. Size was important–one more thing to add to my day pack. Cretan honey safely stowed, I mingled with the other women and tried to match names and faces to the biographies we had shared before the trip. We boarded our “luxury liner” bus. With expansive windows all around me, I watched as the capitol city, Heraklion, transitioned into curving mountain roads.(For details of that early morning search for libations, see my blog Crete, Part 2 posted on 2/21/18.) I could tell this early October day was going to be hot. I would be glad for the air conditioning on the bus later that day.

Each day we sang this morning blessing in the bus:

As this day dawns in beauty,
we pledge ourselves to repair the web.

Sometimes Karolina (Carol’s Greek name) would give us background about where we were heading to supplement the handout we received earlier. The bus was well equipped with a microphone and even a drop-down, overhead map so everyone could hear Karolina and see the locations of our day’s stops.

Paliani Monastery is one of the oldest monasteries in Crete. Within the walls is a large sprawling myrtle tree considered sacred (Holy Myrtle), and believed to be endowed with powerful healing properties. That day Karloina wanted us to discover the matrifocal subtext of Christianity at the Paliani Convent with its 1,000 year old sacred myrtle tree. Many visitors from around the world and over centuries have brought healing requests to this ancient sacred tree. The convent is at least 1,000 years old. Paliani has been destroyed several times by conquering invaders. And every time rebuilt, most recently in the late 1800s.

One popular Cretan travel guide explained, “The cult of Holy Myrtle is actually a survival of ancient religious habits and more specifically the worship of sacred trees in the Minoan religion.” More information from a website called Orthodox Crete: “This is one of the oldest convents on Crete, situated south of Venerato village and built on top of the ruins of an ancient temple, as confirmed by the capitals located in the courtyard of the convent.”

My carefully chosen sun hat had been packed flat for travel, but I wore it as we climbed the winding entrance to the convent that had been a sacred site for the ancient Cretan people who honored the Goddess in all her aspects.

Hiking up the hillside


Approaching the sacred 1,000 year old myrtle tree.

Lower Level

The Holy Myrtle tree can be approached on two levels. As the tree grew the convent courtyard expanded around the trunk. We walked with a few other visitors around the magnificent tree and silently took in our surroundings. A certain hush pervaded the space. The convent courtyard was carefully tended and bloomed with flowers on this hot October day.

Upper Level

embedded in limbs

Karolina gathered us around the Holy Myrtle on the upper level to consider all we had seen and felt in this special spot. Next we would visit with one of the nuns who has live here for over fifty years. I’ll have more photos and talk about our time with this amazing woman.

Pure mountain spring water!


Later in the day we would drive into the mountains to the town of Zaros known for its pure mountain spring water….

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Creating is About Alchemy!

Alchemy: a seemingly magical process of transformation, creation, or combination.

“When you love something like reading—or drawing or nature (Paula adds quilting)—it surrounds you with a sense of connection to something greater. If you are lucky enough to know this, then your search for meaning involves whatever that Something is.

Moisture, mist, fog, dew, condensation, humidity, snow, sleet, ice, and rain are magical transformations we know intimately.

It’s an alchemical blend of affinity and focus that takes us to a place within that feels as close as we can get to “home”. It’s like pulling into our own train station after a long trip—joy, relief, a pleasant exhaustion.”
From Stitches: A Handbook of Meaning, Hope, and Repair by Anne Lamott p. 22

Vibrant Orange Can Be Seen Everywhere!

After I requested friends send me examples of orange things that excited their senses, Carla G. was the first to respond. She sent me two crittters–her “cool cat” quilt and this bright giraffe which she described as a WIP or work-in-progress. The coiled fabric basket glows with vibrant energy. Carla wrote this about the gorgeous stained glass window that now abides in her house. “My husband and I commissioned it last year from stained glass artist Beth Erbe of Cutting Edge Glass Creations in Farmington. We didn’t use a color wheel or anything, but just played with colors in Beth’s studio until it “felt right” to us.


Here is another photo of Carla holding her just-finished quilt featuring orange and complementary colors.

Kathy G. jumped in with her usual high energy and sent photos and this message, “Is this top orange enough for you? The pattern is Modern Fans. Spread here is a quilt for a niece. Will get it quilted next week. My loveseat in the process of being reupholstered (by Kathy). Thought you might like the orange arms.” I do, I do! I’m fascinated with her color combinations!

What an ambitious project to strip her love seat down to the bones and create anew! This is “extreme alchemy”.

More creative explorations continued to arrive via computer.

Jan B responded at length to my post and wrote this about the three photos she sent, “Hmmm, I thought…what am I doing with “orange?” Not much, I think…but then I saw your point about orange juxtapositioned with turquoise/aqua, and had a little aha moment. I am probably more likely to resonate and use aqua in my quiltings, but together, orange and aqua make a lovely tune!

Here is a photo of a piece I’ll be putting in QUILT Guild of NWA Show (Apr 5-6, 2019). It has red-orange with mint-aqua, grays, butternuts and Kona snow and newsprint. Together the orange/aqua combination makes the piece very lively.

Another photo is last year’s Kona Color of the Year: “Tiger Lily” which was a gorgeous vibrant orange. I stuck some of it in several of my quilts last year…because you know, once Kona’s year is over, they discontinue that color. (I’ll share if anyone needs some Tiger Lily for a project.)

One more photo: I am using this lovely as a backing for a tree quilt. I love the play of the bright colors on the mud-gray background and the swirls kind of look like the cross-cut of a log. Iam really enjoying this fabric, especially with the batik trees and aqua grunge skies on the front.

So, you see, YOU have reminded me that YES, I am using orange. Thank you!”

Each of these communications was a gift to me!
Lila R sent these last two gifts. Abve, is a photo of a watercolor she did of blood oranges arranged on her table. The photo itself is an interesting composition with the jumble of brushes and the paints barely visible in the upper corners. The small creation below features her “signature” indigo bird and bright accents of green as well as orange on that tawny linen background. I believe Lila has made this for the QUILT guild small quilt auction inn April.

Thanks to each of you for participating in this community roundup of delightful orange projects or accents of orange. I’m going to close with a photo of tomatoes grouped by their shades of yellows, oranges, reds and greens. Creating vivid arrangements is a “magical” process that does not have to be complicated!

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Improvisational Quilts & You….

When Jeanie Wyatt taught an “Improvisational Quilting” class at the Fayetteville library, I signed up immediately! With her encouragement I selected scraps from the mountain of odds and ends of fabric she provided. After showing several examples of her own Improv quilts, Jeanie encouraged us to grab our scissors and to get started. An hour later we shared our small projects. Not finished, but most of us had made a good start. I spent several hours at home finishing my quilt. Yes, my previous experience was helpful, but the willingness to explore was the most important part.

This first “improv quilt” is small 17″ or so across.

What is Improvisation? One idea:

We are all improvisers. The most common form of improvisation is ordinary speech. As we talk and listen, we are drawing on a set of building blocks (vocabulary) and rules for combining them (grammar). These have been given to us by our culture. But the sentences we make with them may never have been said before and may never be said again. Every conversation is a form of jazz. The activity of instantaneous creation is as ordinary as breathing.
from Free Play: Improvisation in Life and Art by Steven Nachmonovich

Playing with piecing curves is an easy way to start. This small quilt, Misty Morning will be auctioned at our quilt show in April:

Misty Morning front and back.

Not all improv quilts have to be small or using curved lines. This quilt started with the bright ombre strips given to me as a sample. Go play with your own odds and ends–there is a certain freedom in thinking about “What if….”

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My Fascination with Orange…..

We read symbols all the time–many even more potent than words! Television jingles from childhood still exist in our brains, corporate logos blanket our urban environments. Even blank walls carry their own messages. I found this photo of the orange wall online and added my message to you.

I want to involve you in this exploration of orange. Each color has it’s own personality. Orange has been neglected. Let’s change that! The range from pale peach to blazing orange offers unlimited options. Let’s communicate with each other. Three women have already sent me photos to include in the next post. Now it’s your turn! Send me your photos and your comments about your photos. I will share them with the group for ongoing comments and reactions. Do it this week! Get involved and next week I will post them.

Consider this! As a girl I traveled much of the U.S. on family camping trips. Kodak film signs greeted us everywhere we drove. Do you remember this, too? Kodak, the corporation, must have done extensive market research on choosing what the most effective colors to use for all their advertising. It was two shades of orange!

Kathy G mentioned that she had never known of other color wheels either. I was introduced to this unique color wheel when I read Joen Wolfrom’s book Color Play. Wolfrom sells tools to help use this vibrant version of the color wheel http://joenwolfrom.com/ Herbert Ives (1882-1953) was a scientist and engineer who headed the development of facsimile and television systems at AT&T in the first half of the twentieth century.

Color

Ives was also an accomplished photographer and inventor. He developed this color wheel based on physics and the true colors in nature. Reportedly, the Ives’ color wheel is the wheel of choice for all fabric, furniture, clothing, yarn and paper companies! Ives’ primary colors are Cyan (Turquoise), Magenta, and Yellow. Computers too, use this system. When you buy ink for your printer, note the C, M, Y designations.

Soothing Shades of Peach, Cantaloupe and Tangerine
I’m drawn to these pale, warm (not hot) colors too. Pale versions of orange are generally tinted with white or gray to tone down the “volume” of pure orange. Think sherbet. Picture antique apricot-color velvet curtains. Or picture a group of well worn vintage books. Next I’ve provided some examples of subdued, soothing shades from the talented photographer Chris Lawton.

This “Still Life” could hang above my mantel for years–then I could study the colors, the composition, and the energy contained in each detail. How soon would the bird take off? Would she stay and sing? Would the hibiscus flower bud open today? Is breakfast coming to this table soon? Lawton

The curves and cave elements draw me into this photograph. I’ve never seen a ceiling like this one before. Have any of you? The tree-like columns reference the “tree of life” symbol of ancient Crete for me. The play of light along the curved path is hypnotizing. The hint of green leaves in the distance is almost shocking. Lawton

The soothing colors of the foreground draw us into the deep blues of the distant sea. The grid of the black wrought iron gate adds unexpected punctuation. Lawton


Nature Demands Our Attention
Our everyday surroundings offer us amazing observations. Let’s pay attention to all we have to celebrate in the natural world of leaf and sky, sunrise and sunset.

Winter can offer a variety of spectacular images when we stay aware of nature’s offerings.

Is this leaf orange or brown? Possibly both! One of my friends, A.A., has a passion for brown. I consider brown a close relative of orange–think about the color “rust”. Is it orange with a lot of brown? Speaking of brown, all the traditional “color wheels” ignore so many fabulous options like black, white, brown, gray and chocolate! And taupe! Some of my favorite quilting time was spent exploring the possibilities of those subtle, but vibrant Diawabo taupe fabrics like those I found at Sager Creek Quilts https://www.sagercreekquilts.com/. This is a subject for another day!

Natural Sights: Look Around You
Photos of the sun or moon, rising or setting, over any puddle or other body of water, offers the observer many varieties of yellows and oranges evolving or dissolving into one another. Again, notice how the dark accents heighten the drama.

Closing this post with an attentive canine unaware of our admiration. The shaggy doggy fur in many shades of multiple colors contrasts with the harsh metal of a vividly orange vehicle. Contrasts are a central part of engaging the eye and mind of a viewer.

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Exploring the Color Orange

“Compositions matter. Artfully arranged, anything can become a thing of beauty.”
designer Barbara Barry, House Beautiful, January 2013 p.79

Another photographer composed this picture demonstrating the range of colors in the orange family as they move into yellow. The composition of this photograph is worth studying. Note the neutral background and the play of shadows on the foreground subject.

The umbrella photo recalls my introduction to the variety of “color wheels” humans have created. I was under the illusion that there was only one color wheel—the one I was introduced to as a child with red, blue and yellow as the primary colors. As a quilter, I was finally made aware that the color wheel is merely a way to interpret the spectrum of light perceived by human eyes. A color wheel is like a language of color. Different groups can create and adopt different color wheels! Wow, what a revelation for me.

The Ives color wheel used by computers seems more accurate and accessible to me. The primary colors in the Ives wheel are: magenta, yellow and turquoise! One consequence of using this wheel is that orange is directly opposite of turquoise. That makes turquoise the complement of orange!! This explains to me why the terracotta roofs and pots look perfect against the blue doors and blue sky of the Mediterranean.

In studying the this photo, I notice all the curves. Starting with the arch and including all the shapely clay pots as well as the curved edges of the flagstone entry. The multiple curve shapes contrast with the square shapes of the door and elements of the building. The strong contrasts of light in the photo are central to the intrigue portrayed here!


Natural building materials of stone, brick and wood always benefit from accents of color and textures.

Here I’ve focused my camera on the display of island-grown oranges and tomatoes—artfully arranged! I took this photo of a taverna located near the Dictean Cave with a spectacular view overlooking the Lasithi plateau in central Crete, Greece. The artist who created this arrangement certainly caught my eye! The repeated dots of orange in a variety of positions demands our attention.

Orange is the only color whose name also describes a fruit! And not just any fruit, but a citrus fruit with a distinctive tangy and sweet flavor. To my mind the color orange offers similar qualities to our sense of sight! Orange can range from a warm subtle terracottta color to a bright screaming orange of traffic cones.

My desire to explore the possibilities of orange in my quilts and in my own wardrobe began a few years before my one woman quilt show at the Arts Center of the Ozarks in 2008. I know that because during that show I offered a workshop on using orange in our quilts. I believe that my interest in using orange was sparked, in part, by association with LoVina Payton, a prolific quilter in our quilt guild for years.

Another photographer exploring Crete discovered this simple and dramatic display. Here the textures of the different size baskets with the green accents of the orange leaves demands our attention. Notice how the one boat-shaped basket draws your eye. It is unusual, in a composition, to place the heaviest objects on the upper shelf.

Pleasing the Human Eye

Have you noticed how the human eye is pleased by moving across related colors? Because the vibration of orange is a strong sensation it is often better used as an accent color or as “punctuation”—my word for small amounts of a zinger color. Here are two examples with a range of related colors.

Both photographs above yield a smooth transition of colors. Yet there is enough variety in the complex fabric or in the leaves to keep our eye engaged! As quilters, this is a major challenge for us. We strive to keep the viewer’s attention. Revealing a too-regular and easily discernable pattern can be boring. Life is full of contrasts in shape, size, color and especially light. Our eyes desire engagement. My eyes appreciate the chance to fully explore both these photos each time I’ve encountered them. That’s why I’ve included them here.

Everyday artistry was obvious everywhere I looked in the small fishing village of Mochlos located on the north east shore of Crete. The Hotel Mochlos welcomed us with this arched entrance painted a warm terracotta contrasting with the natural stone, the green potted plants and a dash of brilliant blue. After long days on the tour bus I felt welcomed home.

My last examples of the versatility of orange all come from the natural world.


Butterfly weed thriving in our front garden here in Arkansas attracts the Pipe Vine Swallowtail butterfly clothed in dramatic black with iridescent blue shadings. Orange and black will always be a dramatic combination.

Orange Bougainvillea is a more unusual color than the magenta variety which is my favorite. This photo, too, was taken in Mochlos in the fall of 2017. The vibrant orange flowers remind me of growing up in Miami Springs, Florida in the 1950s because the neighbors who lived across the street from us had an out-of-control orange bougainvillea vine like this rambling over their garage. Here the backdrop of the blue sky adds to the appeal.

The early morning sunrise in Mochlos displays the subtle orange of dawn reflecting on the sea. Anyone who admires a sunrise or sunset knows that the colors merge and change quickly. I managed to capture the morning glow as the sun appeared from behind the mountain beyond the crescent shaped beach of the village.

Is it red or is it orange? Perhaps some of both as the colors merge and shift in the morning light. When I choose fabric I watch for a fabric that contains what I’ve called inner light. Below is an example.

The print with the shades of orange and peach is a perfect example of one print with a variety of colors and shades which keep the eye moving and engaged in seeing the pattern presented by the quilter.

“Grape Clusters” is an original design which started with the center embroidered piece worked on a fine quality linen that I discovered years ago at a thrift shop. Once I added my creativity with the framing borders, it became a TimeSpan quilt. I plan to finish this top for the small quilt auction at our guild show in early April.

This sunrise photo looks across the narrow channel to the islet of Mochlos where archaeologists continue to discover 4,000 year old artifacts from the early inhabitants of Crete. The peach sky and the variety of gray colors of the clouds and water present a peaceful scene. Perhaps peach and gray might be the starting point of your next quilt?

If you have examples of quilts or photos with an interesting orange theme or orange accents, send me a photo. Once I receive several items from you all, I will do another post using your photos and any explanations or comments you send me.

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